My first full-length poetry collection, To Love the River, is now on sale at the publisher Kelsay Books’ website! This is much sooner than I had imagined, months earlier than its projected publishing date, so this is a huge and happy surprise. The book is the culmination of many years’ work, the subject matter spanning a river’s worth of emotions and experience condensed into the craft of both formal and free verse poetry.
The cover art is by the Swedish artist — a pioneer of abstract art pre-Kandinsky! — and mystic Hilma af Klint (1862-1944) whose séance-inspired (and later simply inspired) paintings are finally getting recognition in her first solo exhibition at the Guggenheim Museum. Like her work, my poetry also reflects a subtly spiritual perspective on life.
Here is one sample poem from the book, which echoes the “dawn” theme woven through some of these poems, “The Word for Dawn,” first published in Sukoon journal.
The Word for Dawn
Fajr: the j a mere mirage, light on the tongue,
just melting into r, no vowel between,
bluing into nothing but a turning of the lips.
I hear it like a distant motorcycle,
its street lost in a cricket’s heartbeat,
and I find it leaking tiny drumbeats from
my son’s earbuds fallen from his ear,
buzzing in his sleep. Newborn wasps,
tinny, revving j’s straight through the r’s
that rise and thread their little lights
where teeth touch lips and feel the furry f’s
a darkness, void, a space of hairy night.
A single hair-edge turning from the deep.