The lovely Animal Heart Press has nominated my poem “Not All Forests Are Alike” for Best of the Net!! Thrilled and honored to be selected. Thanks to Editors Elizabeth Horan and Amanda McLeod and the whole editorial team!!
The lovely publisher and online venue Animal Heart Press is featuring my poetry and photography on on their site starting today, June 10, for one week!!! Today’s featured poem is “In the Interim.” Check the site daily for more poetry, photography, poetry readings from my new book To Love the River, an interview, and for a finale, a short film!! Huge thanks to Editor-in-Chief Elizabeth Horan, Assistant Editor Amanda McLeod, and the whole AP team. A dream to work with!!!
Updates: Friday, June 14, I read selections from my book, To Love the River!
Thursday, June 13 (as well as Tuesday June 11), poetry and photography posted.
Wednesday, June 12, interview with Amanda posted. Please check it out!
Presence: A Journal of Catholic Poetry has published my poem “Angels” in their 2019 issue (in print only). It’s a gorgeous issue with much fine poetry including some of the best poets writing today, as well as thoughtful reviews and interviews. The cover by the painter Rick Mullin is also amazing. Huge thanks to editor extraordinaire Mary Ann B. Miller, for including my poem among the many exceptional poets, and for including a wider range of spiritual writing, Catholic and non-Catholic (such as myself). You can order a copy here. The issue is well worth it!
My poem “Song of the Bats” is in the Dark Marrow Survivor Issue (March – still catching up), which is in PDF form here. Look for the title listed in the issue. If you enjoy poetry from the dark side, you will definitely love this publication.
My poem “Survival of the Fittest” has been published in the latest issue of Third Wednesday, a fine print publication. An honor to be among such luminaries as Ted Kooser and Susan Rich, and many more fine poets. Their website is here.
The hyperactive (publishing up a storm) and wonderful site Rhythm & Bones’ zine dedicated to the dark side, Dark Marrow, has published two of my poems: “Metamorphosis” and “Frost My Heart.” These are definitely dark poems, formal ones (a sonnet with variations and a rondeau), which fit the site’s description: “featuring your twisted visions and nightmares, your traumas you can’t shake, the ghosts that haunt your daydreams…” If this is what you need at this moment, there is much more to fit that mood here.
November has started out as a busy month for my poetry publications, with three fabulous journals publishing multiple poems each, all now live online for November.
Otoliths, “a magazine of many e-things,” publishes experimental poetry of many varieties with an impressively large volume of work, making it an unusual venue for me, but a good home for these particular 3 poems, one of which is entitled “Ode to Ancient Astronaut Theorists.”
Mojave He(art) is a desert themed journal which, although relatively new, already shows promise with fine poetry, creative nonfiction, fiction, and photography that is a cut above. So I am happy to have three poems in its November issue, which explore the desert theme with the Apollo moon landing, a ghazal about longing and time, and a prose poem in a Middle East setting. (Scroll down to my name to find separate links for each poem.)
Please check out all three places, where you’re likely to find much to enjoy!
My first full-length poetry collection, To Love the River, is now on sale at the publisher Kelsay Books’ website! This is much sooner than I had imagined, months earlier than its projected publishing date, so this is a huge and happy surprise. The book is the culmination of many years’ work, the subject matter spanning a river’s worth of emotions and experience condensed into the craft of both formal and free verse poetry.
The cover art is by the Swedish artist — a pioneer of abstract art pre-Kandinsky! — and mystic Hilma af Klint (1862-1944) whose séance-inspired (and later simply inspired) paintings are finally getting recognition in her first solo exhibition at the Guggenheim Museum. Like her work, my poetry also reflects a subtly spiritual perspective on life.
Here is one sample poem from the book, which echoes the “dawn” theme woven through some of these poems, “The Word for Dawn,” first published in Sukoon journal.
The Word for Dawn
Fajr: the j a mere mirage, light on the tongue,
just melting into r, no vowel between,
bluing into nothing but a turning of the lips.
I hear it like a distant motorcycle,
its street lost in a cricket’s heartbeat,
and I find it leaking tiny drumbeats from
my son’s earbuds fallen from his ear,
buzzing in his sleep. Newborn wasps,
tinny, revving j’s straight through the r’s
that rise and thread their little lights
where teeth touch lips and feel the furry f’s
a darkness, void, a space of hairy night.
A single hair-edge turning from the deep.