The gorgeous print literary journal Lily Poetry Review has published a beautifully-written review of To Love the River in its Summer issue. Due to family issues, I haven’t been very active posting things of late, but hope to do more now. The review is written by Editor-in-Chief Eileen Cleary, author of the heartbreaking and powerful book Child Ward of the Commonwealth (Main Street Rag, 2019). She writes “To Karami, poetry is music and as such is composed rather than written.” And “to explore luminous spaces in the hands of this capable and imagistic poet is a true pleasure.” How can I thank you, dear reviewer, for such a thrilling review? And the journal itself is a thing of beauty, full of poems that open up worlds to the imagination. Well worth a subscription.
The lovely publisher and online venue Animal Heart Press is featuring my poetry and photography on on their site starting today, June 10, for one week!!! Today’s featured poem is “In the Interim.” Check the site daily for more poetry, photography, poetry readings from my new book To Love the River, an interview, and for a finale, a short film!! Huge thanks to Editor-in-Chief Elizabeth Horan, Assistant Editor Amanda McLeod, and the whole AP team. A dream to work with!!!
Updates: Friday, June 14, I read selections from my book, To Love the River!
Thursday, June 13 (as well as Tuesday June 11), poetry and photography posted.
Wednesday, June 12, interview with Amanda posted. Please check it out!
My poem “Survival of the Fittest” has been published in the latest issue of Third Wednesday, a fine print publication. An honor to be among such luminaries as Ted Kooser and Susan Rich, and many more fine poets. Their website is here.
The formal poetry website The Chained Muse has published my ghazal “The Triumph of Roses” (reprint) on Christmas Day, a gift and also an auspicious shot of luck for 2019. This link will bring you the Roses Ghazal and also give you my ghazal “In Egypt” with a wonderful and appropriate photo, published there last October. This is an up-and-coming venue for formal poetry. Please check it out!!
The hyperactive (publishing up a storm) and wonderful site Rhythm & Bones’ zine dedicated to the dark side, Dark Marrow, has published two of my poems: “Metamorphosis” and “Frost My Heart.” These are definitely dark poems, formal ones (a sonnet with variations and a rondeau), which fit the site’s description: “featuring your twisted visions and nightmares, your traumas you can’t shake, the ghosts that haunt your daydreams…” If this is what you need at this moment, there is much more to fit that mood here.
November has started out as a busy month for my poetry publications, with three fabulous journals publishing multiple poems each, all now live online for November.
Otoliths, “a magazine of many e-things,” publishes experimental poetry of many varieties with an impressively large volume of work, making it an unusual venue for me, but a good home for these particular 3 poems, one of which is entitled “Ode to Ancient Astronaut Theorists.”
Mojave He(art) is a desert themed journal which, although relatively new, already shows promise with fine poetry, creative nonfiction, fiction, and photography that is a cut above. So I am happy to have three poems in its November issue, which explore the desert theme with the Apollo moon landing, a ghazal about longing and time, and a prose poem in a Middle East setting. (Scroll down to my name to find separate links for each poem.)
Please check out all three places, where you’re likely to find much to enjoy!
My first full-length poetry collection, To Love the River, is now on sale at the publisher Kelsay Books’ website! This is much sooner than I had imagined, months earlier than its projected publishing date, so this is a huge and happy surprise. The book is the culmination of many years’ work, the subject matter spanning a river’s worth of emotions and experience condensed into the craft of both formal and free verse poetry.
The cover art is by the Swedish artist — a pioneer of abstract art pre-Kandinsky! — and mystic Hilma af Klint (1862-1944) whose séance-inspired (and later simply inspired) paintings are finally getting recognition in her first solo exhibition at the Guggenheim Museum. Like her work, my poetry also reflects a subtly spiritual perspective on life.
Here is one sample poem from the book, which echoes the “dawn” theme woven through some of these poems, “The Word for Dawn,” first published in Sukoon journal.
The Word for Dawn
Fajr: the j a mere mirage, light on the tongue,
just melting into r, no vowel between,
bluing into nothing but a turning of the lips.
I hear it like a distant motorcycle,
its street lost in a cricket’s heartbeat,
and I find it leaking tiny drumbeats from
my son’s earbuds fallen from his ear,
buzzing in his sleep. Newborn wasps,
tinny, revving j’s straight through the r’s
that rise and thread their little lights
where teeth touch lips and feel the furry f’s
a darkness, void, a space of hairy night.
A single hair-edge turning from the deep.
My poem “Happy Mother’s Day”, which is in an invented form that utilizes only the letters in the title (full description of form is on poem’s page), has been published on the wonderful mother-centric site Literary Mama. Please check it out! (And the other fine poems, essays, articles, and stories on the site.) Pictured: flowers from my Mother’s Day bouquet.