My Ghazal, “Delivery,” nominated and selected for the Orison Anthology!

My ghazal “Delivery,” originally published on the wonderful SWWIM website, has now been published in the Orison Anthology, which I now hold in my hands!! SWWIM, which is based in Miami and publishes poetry by women, nominated my poem for the Orison Anthology, a prestigious anthology of spiritual writing which also holds an annual contest for poetry, fiction, and nonfiction. It’s a huge and unexpected honor to have my poem included!! A copy of the Anthology can be purchased here, where you will also find (my name among) the names of contributors, including contest winners.

Beautiful Review of To Love the River in Atticus Review!

Ecstatic doesn’t even describe it. My poetry collection, To Love the River, has been reviewed in Atticus Review, and it is indeed a gratifying review for a book into which I put my whole self. All my appreciation to the reviewer, Nicole Caruso Garcia, for taking the time to consider and appreciate my poetry in such a fine venue. Also a fine poet in her own right, it means so much that she considered it worth her time. My thanks to Atticus Review as well for publishing the review; especially as I have a publicity deficit (common among poets, alas). Being online also means the review is accessible to more people. She states:

She skillfully toggles between micro and macro, zooms in on an insect level, then pulls back to let readers see the constellations.

And

Like the core pieces in a museum’s collection, Karami’s ghazals alone make the experience worth the price of admission.

With its lovely inventive title, “Life Only as Water Current,” this review is a thing of beauty for which I am deeply grateful.

Atticus Review is itself a wonderful venue for poetry, fiction, CNF, and mixed media, as well as reviews and interviews. It’s well worth your time to look through the whole site.


And for those who are interested, now is a good time to consider giving the gift of poetry; the review touches on the high points of my book and gives you a fair assessment of what’s inside. I will sign and send a personally signed copy with free shipping for those who contact me in the next two weeks either via email sihamkarami at gmail dot com or follow me on twitter @sihamkarami and I will follow you back where you can send me a direct message regarding purchase of a signed copy of my book. Of course, there’s always Amazon and Kelsay Books’ site as well, but without signature and paying for shipping. All this is also on the “Books” tab above. One feels somehow not-right to promote one’s own book, but such is the fate of the lesser-known poet. A small blip in the sea. For which such reviews are lifeboats.

Wonderful Review of To Love the River in Lily Poetry Review


The gorgeous print literary journal Lily Poetry Review has published a beautifully-written review of To Love the River in its Summer issue. Due to family issues, I haven’t been very active posting things of late, but hope to do more now. The review is written by Editor-in-Chief Eileen Cleary, author of the heartbreaking and powerful book Child Ward of the Commonwealth (Main Street Rag, 2019). She writes “To Karami, poetry is music and as such is composed rather than written.” And “to explore luminous spaces in the hands of this capable and imagistic poet is a true pleasure.” How can I thank you, dear reviewer, for such a thrilling review? And the journal itself is a thing of beauty, full of poems that open up worlds to the imagination. Well worth a subscription.

Featured Poet & Artist On Animal Heart Press!!!!

The lovely publisher and online venue Animal Heart Press is featuring my poetry and photography on on their site starting today, June 10, for one week!!! Today’s featured poem is “In the Interim.” Check the site daily for more poetry, photography, poetry readings from my new book To Love the River, an interview, and for a finale, a short film!! Huge thanks to Editor-in-Chief Elizabeth Horan, Assistant Editor Amanda McLeod, and the whole AP team. A dream to work with!!!

Updates: Friday, June 14, I read selections from my book, To Love the River!

Thursday, June 13 (as well as Tuesday June 11), poetry and photography posted.

Wednesday, June 12, interview with Amanda posted. Please check it out!

Poem Published in Third Wednesday

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My poem “Survival of the Fittest” has been published in the latest issue of Third Wednesday, a fine print publication. An honor to be among such luminaries as Ted Kooser and Susan Rich, and many more fine poets. Their website is here.

Holiday Surprise!! “The Chained Muse” Publishes My Ghazal

The formal poetry website The Chained Muse has published my ghazal “The Triumph of Roses” (reprint) on Christmas Day, a gift and also an auspicious shot of luck for 2019. This link will bring you the Roses Ghazal and also give you my ghazal “In Egypt” with a wonderful and appropriate photo, published there last October. This is an up-and-coming venue for formal poetry. Please check it out!!

Two Poems in the Inaugural Issue of Dark Marrow

The hyperactive (publishing up a storm) and wonderful site Rhythm & Bones’ zine dedicated to the dark side, Dark Marrow, has published two of my poems: “Metamorphosis” and “Frost My Heart.” These are definitely dark poems, formal ones (a sonnet with variations and a rondeau), which fit the site’s description: “featuring your twisted visions and nightmares, your traumas you can’t shake, the ghosts that haunt your daydreams…” If this is what you need at this moment, there is much more to fit that mood here.

November Blitz: Three Journals Live with My Poems

November has started out as a busy month for my poetry publications, with three fabulous journals publishing multiple poems each, all now live online for November.

Otoliths, “a magazine of many e-things,” publishes experimental poetry of many varieties with an impressively large volume of work, making it an unusual venue for me, but a good home for these particular 3 poems, one of which is entitled “Ode to Ancient Astronaut Theorists.”

Mojave He(art) is a desert themed journal which, although relatively new, already shows promise with fine poetry, creative nonfiction, fiction, and photography that is a cut above. So I am happy to have three poems in its November issue, which explore the desert theme with the Apollo moon landing, a ghazal about longing and time, and a prose poem in a Middle East setting. (Scroll down to my name to find separate links for each poem.)

And last but definitely not least is the vital and unique online zine Anti-Heroin Chic, where two of my poems have been published, each about very different kinds of love.

Please check out all three places, where you’re likely to find much to enjoy!

My Book To Love the River Now Available!!

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My first full-length poetry collection, To Love the River, is now on sale at the publisher Kelsay Books’ website! This is much sooner than I had imagined, months earlier than its projected publishing date, so this is a huge and happy surprise. The book is the culmination of many years’ work, the subject matter spanning a river’s worth of emotions and experience condensed into the craft of both formal and free verse poetry.

The cover art is by the Swedish artist — a pioneer of abstract art pre-Kandinsky! — and mystic Hilma af Klint (1862-1944) whose séance-inspired (and later simply inspired) paintings are finally getting recognition in her first solo exhibition at the Guggenheim Museum. Like her work, my poetry also reflects a subtly spiritual perspective on life.

Here is one sample poem from the book, which echoes the “dawn” theme woven through some of these poems, “The Word for Dawn,” first published in Sukoon journal.

The Word for Dawn

Fajr: the j a mere mirage, light on the tongue,
just melting into r, no vowel between,
bluing into nothing but a turning of the lips.
I hear it like a distant motorcycle,
its street lost in a cricket’s heartbeat,
and I find it leaking tiny drumbeats from
my son’s earbuds fallen from his ear,
buzzing in his sleep. Newborn wasps,
tinny, revving j’s straight through the r’s
that rise and thread their little lights
where teeth touch lips and feel the furry f’s
a darkness, void, a space of hairy night.
A single hair-edge turning from the deep.